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The Last Remnant How to Teach Party Members New Arts

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2008 video game

2008 video game

The Last Remnant
A young man in light armor with medium-length black hair looks at the viewer. Black storm clouds behind him, and embers are seemingly blown towards the left in front of him. The logo with the words "The Last Remnant" centered above each other on three lines is in the lower right, with an ornate sword behind them.

Xbox 360 version encompass art of the game, depicting Rush Sykes
Developer(due south) Foursquare Enix
Publisher(s) Square Enix
Managing director(s) Hiroshi Takai
Producer(s) Nobuyuki Ueda
Artist(s) Yusuke Naora
Writer(s) Masato Yagi[1]
Miwa Shoda[2]
Akitoshi Kawazu[3]
Composer(due south) Tsuyoshi Sekito
Yasuhiro Yamanaka
Engine Unreal Engine three (Xbox 360, Microsoft Windows)
Unreal Engine 4 (PlayStation 4)[4]
Platform(s) Microsoft Windows
Xbox 360
PlayStation four
Nintendo Switch
iOS
Android
Release Xbox 360
  • WW: November 20, 2008
Microsoft Windows
  • EU: March 20, 2009
  • NA: March 24, 2009
  • JP: April ix, 2009
PlayStation four
  • WW: December 6, 2018
Nintendo Switch
  • WW: June x, 2019
iOS, Android
  • WW: December 12, 2019
Genre(s) Run a risk, office-playing
Mode(s) Unmarried-player

The Final Remnant ( ラストレムナント , Rasuto Remunanto ) is a role-playing video game adult and published by Square Enix. It was released worldwide for Xbox 360 in November 2008 and for Microsoft Windows in March 2009. A PlayStation 3 version was originally announced besides, but this version was cancelled.[v] A remastered version was released on PlayStation four in December 2018 and for Nintendo Switch in June 2019. The game follows a teenage warrior on a quest to end the war, in a fictional globe divided into multiple city-states and inhabited by four different species. Their past includes a disharmonize over "Remnants", magical artifacts of varying forms. The game features a unique battle arrangement in which the role player commands multiple groups, or "unions", of characters rather than private units.

The Last Remnant is the first Square Enix game to utilise the Unreal Engine. It was intended by Square Enix president Yoichi Wada to "become a cornerstone for [their] worldwide strategy".[6] The game's soundtrack was released as a three-disc album, composed by Tsuyoshi Sekito and Yasuhiro Yamanaka. The design and dialogue of the game were created to appeal to players worldwide, and motion capture for every character with the English-speaking dialogue. The game received a weak reception, though it was received more positively by Japanese reviewers than other ones. A mutual complaint, specially for Xbox 360, was of graphical bug including low framerates and "texture pop-in" where higher resolution textures would suddenly supplant lower ones several seconds after a scene had started. Other issues included complaints about the game'due south storyline and battle organisation, though these were not as universal. The game received praise for art direction and music.

Gameplay [edit]

A group of people and monsters in light armor fight, with Rush facing away closest to the viewer. Gauges and boxes filled with text and numbers ring the perimeter of the image.

The boxing screen, showing the morale bar at the top, a compass showing the relative positions for each group, the status of the electric current fighting union, and the order in which each unit in the two fighting unions volition take their turn

The game is split up between a world surface area, a battle area and a globe map.[7] The actor controls Rush Sykes, equally he travels around the world screen inside an area, with the photographic camera floating behind and slightly above him. Inside the earth screen, the player can talk to anyone, enter buildings and other areas, or go out to the map screen. The map allows instant travel between different cities and areas, or between different areas within the city. On the battle screen, the game has a 3-dimensional area like the world screen with a setting reminiscent of the location, where every graphic symbol and enemy appear. Instead of random encounters, players enter the separated battle when they impact an enemy on the primary world screen. The thespian can enter a battle with multiple enemies at once, by using a "fourth dimension-shift" system, which slows the time for Rush to provoke them.[7]

The game features a boxing system labeled by Hiroshi Takai as a "plough-based, command-based system using symbol encounters".[eight] During a battle, each enemy from the world screen is represented past a grouping, or "union", of enemies ranging from one to v private units; similarly the player's forces are composed of multiple unions of 3 to five units each. The skills of the units in the player's unions, which include both story characters and hireable units not appearing exterior of battle, vary according to different parameters.[7] One such parameter is the "morale" bar, which is affected by the events in battle and can accept positive or negative effects on the battle forces.[9] Each unit can too larn dissimilar attacks, which are divided into categories such as bract attacks and healing magic. At the kickoff of each plow the histrion selects from a grouping of choices what assail types each union will perform; the player is unable to select the individual attack of each unit. Special attacks require "action points", which continually accrue during each battle.[7] The thespian selects at the offset of each turn which enemy matrimony each of their unions will attack. As the enemy makes their selections at the aforementioned time, information technology is possible for a union to be "deadlocked", or forced to fight a dissimilar union than the thespian or enemy had selected. When multiple unions are deadlocked onto the same enemy, some unions tin flank the enemy or attack from the rear for more damage.[10]

In improver to battles, the player can take on quests. Many of these take the role player to an area immediately afterwards accepting and returning them in one case completed, while "society quests" practice not require acceptance and may exist turned in past the player whenever the accomplishments listed on each completed quests.[10] The units may equip whatsoever weapons and accessories. Blitz'due south equipment can be upgraded to many dissimilar options, while other units asking materials, which tin exist purchased at stores, acquired in battles or constitute in areas using a creature called Mr. Diggs.[10] He can upgrade abilities and observe types of materials.[seven]

Plot [edit]

Setting and characters [edit]

The game is ready in a fictional globe featuring a number of singled-out humanoid races: the Mitras, human in appearance, the Yamas, strong fish-similar people, the Qsitis, minor reptilians, and the Sovanis, feline people with four arms.[11] The globe itself is broken upwardly into multiple city-states, each with their ain unique culture. The story of the game revolves around "Remnants", aboriginal and powerful magical artifacts, which have been the cause of several wars.[12] [13] Each Remnant is "bound" to a specific person who tin can utilize the power. Powerful ones which remain unbound for besides long have the potential to cause a "plummet" and spawn monsters.[14] [xv] Every bit Remnants come in varying forms, all cities throughout the globe have at least one that their ruler is bound to that assist in governing and bring peace to their assigned realm.[seven]

The protagonist is Rush Sykes, a young warrior from a small-scale island. His sis, Irina, is kidnapped at the offset of the game.[16] He meets and joins David Nassau, the young ruler of the city-country of Athlum, and his generals: Emma Honeywell, Yama Blocter, Qsiti Pagus, and Torgal.[17] More than a hundred other characters tin can be recruited, found through quests and at guilds. They have different status and skills.[18] The principal villain is the Conquistador, a man invading many cities in the world. He is assisted by Wilfred Hermeien, the leader of the urban center-state of Nagapur and the ruling council of all of the city-states, and Wagram, a powerful wizard.

Story [edit]

The game opens with Rush finding David'southward army fighting monsters; after he and his Remnant pendant help defeat the monsters, David and his generals determine to assist him find Irina. While investigating a Remnant that is virtually to plummet, Blitz and company come across Wagram and Irina, who escape. After chasing Wagram and Irina for several missions, the group attends the Congress meeting of the leaders of the city-states in Elysion, home to the Ark Remnant, which can transport users to the Sacred Lands.[19] The Conquistador arrives at the Congress, binds the Ark, and demands to exist given a massive Remnant of the type that each city-state has.[20] His demands are rejected, and he declares war with the back up of the "God-Emperor", a thousand-year-onetime legendary figure.[21] [22]

David takes the lead in opposing the Conqueror in hopes of earning independence for Athlum, which is currently a vassal country to Celapaleis. They successfully defend Celapaleis, only the Conqueror himself attacks Athlum in their absence, killing Emma and somehow taking Athlum'southward bound Remnant. Rush and company return to Elysion to rescue Irina from Wagram. Irina is revealed to have a special ability, that of unbinding bound Remnants, which is why she was kidnapped. They discover that Hermeien is trying to use the Conqueror and Wagram's state of war to prop himself up every bit supreme ruler.[23] The political party rescues Irina and kills Hermeien, merely Wagram escapes. Irina uses Nagapur'south Remnant to protect her brother from the Conqueror, destroying half of the city in the process.[24]

Iv months later, Rush learns that the council city-states are now trying to find Remnants to fight the Conqueror, who is in turn binding the Remnants of the city-states using tablets based on Irina'due south power that tin can unbind Remnants. When the party travels to the God-Emperor's city, Undelwalt, they find Wagram, who tells them that the Conqueror is a Remnant himself. Wagram and the God-Emperor are supporting him in his quest to destroy civilization for misusing Remnants and destroying the balance of the world.[25] The Conquistador attacks Elysion and ascends the Ark, bounden information technology then that no one tin follow him; the protagonists search and discover a 2d Ark, the offset duplicate Remnant ever institute.[26] The political party chases the Conqueror through the Sacred Lands, which are revealed to be the birthplace of Remnants. He informs them that he is trying to release Remnants from existence controlled, a task was originally supposed to be Rush's, as he is too a Remnant.[27] He believes that their purpose is to take back the Remnants from the world that is misusing them for warfare and destruction.[28] Rush defeats him and sacrifices himself to destroy the source of the Remnants.[29] The game ends, as the Remnants all around the world disappear. After the credits, Rush is heard talking with the Conquistador nearly returning.[30]

Development [edit]

The game was created by developers who had previously worked on the SaGa and Terminal Fantasy game series. It was directed by Hiroshi Takai and produced past Nobuyuki Ueda.[31] The game was written past Masato Yagi and Miwa Shoda, whose piece of work was based on a scenario concept past Akitoshi Kawazu.[1] [2] [3] Kimihiko Miyamae served equally the principal creative person, and Yusuke Naora served as both art producer and grapheme designer.[31] The Concluding Remnant marked the first Square Enix game to employ Unreal Engine 3.[8] Because they used a licensed engine rather than making their own, the production time needed to display graphical resources onscreen was cut significantly, allowing the squad to begin illustrating and experimenting at an early phase.[xiii] The decision to use a licensed engine, rather than develop their own equally was traditional at Square Enix at the fourth dimension, was made due to concerns in the company of the ascent production costs of making a game, and the direct development time savings possible from using an existing engine.[32] On February 17, 2010, Square-Enix's chief technology officer, Julien Merceron, claimed in an interview that most of the completed game's perceived technical shortcomings were caused by a decision to use the Unreal Engine to not only cut development time only also to reduce the number of skilled programmers that would otherwise be on the project.[33]

The development squad planned to distinguish the game from Terminal Fantasy and other role-playing games, through its focus on the battle system. The art direction of the game was focused on making all of the characters stand out on the battlefield, and in making the Remnants stand out in the world screens. The cities were designed to not look very fantastical, so equally to brand the Remnants more prominent, and were designed early on in the development process to give the impression that the people of the urban center were living both literally and figuratively under the power of behemothic Remnants.[34] The game marked several firsts for Square Enix, as information technology was their offset game to be released on the aforementioned day in both Japan and internationally, as well every bit the start to apply motion capture of Western phonation actors. This resulted in the characters' lips speaking English synced to the spoken dialogue, rather than Japanese.[35] The game was planned from the start of development to be released simultaneously worldwide and to be targeted to players worldwide, which impacted the character design and art direction.[36] The design and dialogue were created to appeal to international and Japanese players, rather than being focused on the norms of the Japanese video game market alone.[37]

The game was announced at a press conference at Shinjuku, Tokyo on May 10, 2007.[38] Information technology was shown equally a playable demo at the Tokyo Game Testify in September 2008.[8] It was and so released on the Xbox 360 on November 20, 2008, and released in late March 2009 for PC. The PC version of the game featured numerous improvements and changes from the original, including the integration of the downloadable content from the 360 version into the main game, enhanced graphical settings, a "Turbo Mode" increasing boxing speed, and a New Game Plus selection allowing the actor to commencement a new game with the gold and unique items from their offset play-through. A PlayStation 3 version was also announced, but never released. Square Enix has not released whatsoever official reason for the absenteeism, though Takai said that he institute developing for the 360 "a lot easier" than for the PlayStation three.[32] [39]

Music [edit]

The game was equanimous past Tsuyoshi Sekito, with assistance from Yasuhiro Yamanaka, who equanimous x of the 97 total tracks and co-equanimous 2. Prior to the game, Sekito had spent the previous decade primarily arranging the work of other composers for remakes and re-releases of various Square Enix games such equally the Final Fantasy serial and the Mana series.[40] The soundtrack features the heavy utilize of orchestral elements, arranged for orchestration by Natsumi Kameoka, and guitar playing by Sekito. The orchestrated pieces were played by musicians from several different orchestras, rather than by a single group. Different nearly part-playing games, the battle music was designed by Sekito to switch between three songs depending on how well the player was doing in the battle.[35] A soundtrack album was released on December 10, 2008, through Sony Music Distribution. It contains 97 tracks across iii discs, and has a total length of 3:10:21.[41]

Reception [edit]

Square Enix reported that the game had sold 580,000 copies beyond all versions on March 31, 2009, less than 2 weeks after the game was released on PC.[52] By Jan 2016, the PC version of the game had over 800,000 copies linked to Steam accounts, according to Steam Spy.[53] The Last Remnant received a largely mixed reception. It received a more than positive reception in Japan than elsewhere, something which the developers credited to different styles of reviewing betwixt cultures. They too felt that the Japanese reviewers scored the game too loftier.[32] Information technology received a 38/40 from Famitsu magazine; the review praised the battle system for its unique, massive-scale battles reminiscent of Romancing SaGa simply refined to a wholly new grade; however, they criticized the learning bend as well, the length of battles, and the inability to choose specific skills for individual units.[54] Famitsu afterward gave the game their 2008 "Rookie Title Grand-Prize" honor.[55]

A common complaint from reviewers was about graphical bug. IGN stated in its review of the Xbox 360 version that the game suffered from farthermost technical problems, while GameTrailers named the "persistent graphical bug" as one of the Xbox 360 version'southward weakest points.[seven] [18] GameSpot, IGN, and 1UP.com cited in their Xbox 360 version reviews severe frame-rate issues and "texture pop-in", where the textures were displayed as depression resolution for several seconds earlier being replaced with higher-resolution ones, as some of its main failings.[18] [43] [46] Even so, all iii review sites gave a higher score for the PC version, citing drastically improved graphical operation,[ten] [42] [45] but still with texture pop-in and irksome loading times when moving between areas and when entering or exiting a battle as well equally unskippable cut scenes. Other problems raised past reviewers included "cluttered screens and annoying 'quests'" noted by GamePro, "over the superlative" and stereotypical characters opined by Game Informer, a poor and generic story according to IGN and 1UP, and long loading screens and cutscenes which were criticisms brought past G4, 1UP, and the Australian Official Xbox Magazine.[xviii] [43] [44] [56]

Another mutual point of complaint amidst reviewers was the battle system, which was described as "repetitive" by GamePro, frustrating past IGN in their Xbox review, and "boring" and the worst function of the game past 1UP.[18] [43] [57] G4 also criticized the battle arrangement, saying that the game played itself.[56] This criticism was not universal, as GameTrailers cited its "unique boxing system" every bit providing "a lot to bask", IGN called it "the well-nigh interesting part of The Last Remnant" in their PC review, and GameSpot called it "intriguing" and especially fun in the larger-scale battles.[vii] [10] [46] The game's visual style was praised beyond many reviews, such every bit those by GameTrailers, 1UP, and GamePro, who described the style as "an innovative 'East-meets-Due west'", while GameSpot called it a "distinctive fantasy earth" that is "beautifully synthetic".[7] [46] [57] The music was also a source of praise, and was noted every bit such in the IGN reviews and the GameSpot reviews, which called it an "fantabulous symphonic soundtrack" with terrific melodies.[xviii] [46] GameSpot, in their review, as well praised the game's story as "epic", in dissimilarity to many of the other reviews, though they noted that Rush wasn't "the most interesting leading homo" and preferred when the story focused on the Conqueror.[46]

Remaster [edit]

In September 2018, Square Enix appear the product of a remastered version of the game, to be released for PlayStation 4 on December 6, 2018. The remaster features a game engine upgrade from Unreal Engine 3 to Unreal Engine 4,[4] with improved graphics and features.[58] The remaster was released in December 2018 for PlayStation 4, and for Nintendo Switch in June 2019.

References [edit]

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  14. ^ Emma: You take to 'bind' a Remnant to use it. [...] And then long as someone else hasn't bound it offset. Square Enix (Nov 20, 2008). The Last Remnant (PC). Square Enix.
  15. ^ Pagus: Only when a Remnant is non bound to a soul, it calls along disastrous misfortune. This calamity is known as The Collapse. Foursquare Enix (November 20, 2008). The Final Remnant (PC). Foursquare Enix.
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  19. ^ David: Blitz, the Congress will belongings be a session in Elysion several days from now. [...] Once every few years, the Lords come across and talk over pressing matters. We'll be heading to Elysion as well. Square Enix (November 20, 2008). The Last Remnant (PC). Square Enix.
  20. ^ Pagus: The Congress has been wearisome to grant that Conquistador boyfriend a Remnant. [...] And the Conqueror keeps rattling his saber well-nigh taking countries and seizing their Remnants. You'd wait that from the kind of person who would bind the Ark. Square Enix (November twenty, 2008). The Concluding Remnant (PC). Square Enix.
  21. ^ David: Our coming together has been postponed. The Conquistador is marching on Celapaleis. Foursquare Enix (November xx, 2008). The Concluding Remnant (PC). Square Enix.
  22. ^ Pagus: They have brought their troops here, to Elysion. Perhaps in that location is truth to their words. Only did they threaten the God-Emperor into siding with them? Square Enix (November 20, 2008). The Terminal Remnant (PC). Foursquare Enix.
  23. ^ Marina Sykes: This is the doing of 1 man. A human using Wagram as a pawn in his twisted game. At the same fourth dimension, he manipulates the Conquistador into sparking a war, for no other reason than to demonstrate the horrors Remnants are capable of. Once a world war erupts, people will no longer believe the Lords fit to control the Remnants. [...] The Chairman of the Congress—Knuckles Wilfred Hermeien. Square Enix (Nov 20, 2008). The Terminal Remnant (PC). Foursquare Enix.
  24. ^ Wagram: Did you honestly call back that someone like you would take the ability to dispense the Conqueror? [...] I would run, if I were y'all, unless you truly wish to die. Square Enix (November twenty, 2008). The Last Remnant (PC). Foursquare Enix.
  25. ^ Wagram: I am simply doing what the Remnants desire of us. [...] Before man so much as crawled upon the earth, Remnants existed, bringing balance and harmony. Remnants were treated as divine creations by man—both feared and worshiped. As time passed, men grew more and more audacious, treating Remnants every bit nothing more than beneficial tools. [...] Now, with the coming of a Remnant that tin express his desires, nosotros must heed, obey, and accept all that he has to say. Square Enix (November twenty, 2008). The Concluding Remnant (PC). Square Enix.
  26. ^ Pagus: The earth is filled with countless Remnants—no two look akin or take the same power. Square Enix (November xx, 2008). The Terminal Remnant (PC). Square Enix.
  27. ^ Conqueror: Y'all should know. This was not originally my task to complete. Foursquare Enix (Nov 20, 2008). The Last Remnant (PC). Square Enix.
  28. ^ Conquistador: I desire to release Remnants from the hands of man. [...] At this rate, they volition push the Remnants' power beyond their limits. They will destroy all existence. [...] I desired to learn what effect releasing Remnants would have on the earth. Thankfully, I establish that Remnants just consume lesser lifeforms, similar man. Foursquare Enix (November 20, 2008). The Last Remnant (PC). Foursquare Enix.
  29. ^ Conquistador: Yous would choose to destroy all Remnants? / Irina: Merely Rush, if you do that, then you... / Rush: I know. It's suicide because... I'm a Remnant too, right? Square Enix (November xx, 2008). The Terminal Remnant (PC). Foursquare Enix.
  30. ^ Conqueror: What volition yous do now? / Blitz: What do you retrieve? I'1000 going dorsum. They're waiting for me. Square Enix (November 20, 2008). The Terminal Remnant (PC). Foursquare Enix.
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  55. ^ "速報！ ゲームユーザーが選ぶ"FAMITSU AWARDS 2008"は、この作品！！" (in Japanese). Famitsu. Apr 24, 2009. Archived from the original on October 19, 2013. Retrieved 2010-02-23 .
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  57. ^ a b Herring, Will (November 20, 2008). "Review: The Terminal Remnant". GamePro. Archived from the original on December 6, 2008. Retrieved 2010-02-22 .
  58. ^ "The Terminal Remnant Remastered Appear For PS4 With New Elements And New Engine". Siliconera. Curse. 2018-09-10. Retrieved 2018-09-10 .

External links [edit]

  • Official website

andersontwoubt1976.blogspot.com

Source: https://en.wikipedia.org/wiki/The_Last_Remnant

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